Syntax Style Skill
Description
A Claude skill for sentence-level prose craft, distilled from Virginia Tufte's Artful Sentences.
Installation
This entry records only its repository, not the path inside it, so there is no
exact command to give. Open the source below and copy the folder into
~/.claude/skills/, or the file into ~/.claude/agents/.
README
Syntax Style
A [Claude](https://claude.ai/code) skill for sentence-level prose craft, distilled from Virginia Tufte's *Artful Sentences: Syntax as Style* (Graphics Press, 2006).
The book's thesis is its title: the arrangement of words is not decoration on top of meaning, it is part of the meaning. A sentence's shape does work. This skill turns that idea into a small set of moves Claude can reach for on demand, plus a kill-list of the patterns that make prose read flat or machine-generated.
It is not a grammar checker and not a voice generator. It assumes the content and the voice are decided, and shapes how the words are arranged.
What it does
When you ask Claude to write, tighten, or fix the rhythm of prose, this skill gives it:
- One model for how artful sentences are built (a base clause plus free modifiers).
- 14 named moves, each matched to the rhetorical job it does best.
- A kill-list of flat and AI-sounding patterns, each paired with the structural fix.
- A revision routine: sentence level, then the seams between sentences, then a slop scan.
It works at two levels: the single sentence, and the flow between sentences in a paragraph.
The one model
Most artful sentences are a **base clause** plus **free modifiers** attached at the front, the middle, or the end. The same model produces a two-word sentence and a sixty-word one.
base clause: The engine failed.
+ end modifiers (right): The engine failed, a dull cough and then silence, the boat drifting toward the rocks.
+ front modifier (left): Two miles from shore, the engine failed.
Right-branching, where modifiers accumulate after a complete base clause, is the workhorse and the book's signature move. The artful version of a flat passage is often *longer*, not shorter. Two failure modes flank it: all base and no modifier i
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